Flowers and geometry ask different things of the eye. One follows organic curves. The other brings structure and repetition. Patricia’s sleeve began by finding a way for those differences to belong together.
Starting with a relationship
I brought floral patterns, geometric shapes and vibrant color into the first chapter of this sleeve. Their contrast gives the composition variety, while the way they meet begins to give it a shared direction.
A large tattoo can hold different kinds of imagery. What matters is how those images relate: where your attention lands, how it moves, and which details bring you closer.
Leaving room for the rest of the story
This is the first of four films following Patricia’s full sleeve. The later chapters introduce a realistic dog portrait, a glowing lantern, and a surreal portrait with vivid poppy flowers.
The opening establishes the contrast between organic forms and structured design that continues through those additions. Watching the whole series lets you see the beginning as part of a complete arm, with each section contributing something different.
Watch the beginning
The film above follows the first chapter through timelapse and real time footage. Continue with the dog portrait to see how the sleeve develops from this foundation.
Your own idea may include elements that feel very different from one another. Bring them into the conversation. Exploring why you are drawn to each one can help us discover how they could work together.
Keep exploring
A dog portrait finds its place in a full sleeve
A lantern to carry through the dark
A portrait, a poppy and the final piece of Patricia’s sleeve